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Head and Shoulders Portraits Using the OctoDome®

The bread and butter for many commercial photographers is the "head and shoulders" portrait. These "promotional" shoots are typically done for aspiring models, realtors, television news anchors, and more.

There are many ways to compose and light for this style of photography. This lesson demonstrates a simple, straightforward way to light and compose a "head and shoulders" portrait. The simplest and easiest way to light a portrait like this is to do what is called "clam shell" lighting. This term refers to the shape the two lights make in this set-up, with generally the same or similar power for both lights.



(Click on any thumbnail image below for an enlarged view.)

Topics Covered:

  • Before Begininng
  • Main Light
  • Secondary Light

Equipment Used:

Camera/Media

     

    Before Beginning

    To make your setup more convenient and versatile, we have now included the Photoflex® FlashFire wireless kit. Using this equipment allows you to move more freely with your camera instead of limiting yourself to within a few feet of your lights. Even adding just one trigger and one receiver you can set your secondary lights to slave so that they fire through the infrared sensor. Either way you choose to use the FlashFire, you cannot ignore its ability to provide your "tool bag" with a great amount flexibility. [figures 1 & 2]

     

     

    Main Light

     

     

    To start, we first attached a StarFlash® 650watt strobe to a medium OctoDome® via a StarFlash® OctoConnector.

    We knew that we wanted to create a soft light that would sculpt our model's face and prominently display her features. To accomplish this, we decided to create a "paramount lighting pattern". A "paramount lighting pattern" is attained by placing your main light directly in front of your model and up high enough to place the shadow from their nose halfway between their nose and upper lip. This is a flattering light because it creates shadows below the cheekbones and chin, which gives them more definition.

    We set up our medium OctoDome® with the StarFlash® 650watt at about five feet high and directly at camera position. We then tilted the light down at a 45 degree angle so it was pointing at our model's face. [figures 3 and 4]

     

    Figure 5

    You can see we have a small paramount lighting pattern appearing under the model's nose. You can also see the slight shadow underneath the cheekbone that this lighting set-up creates, as well as the shadow under the chin, which really helps to sculpt the model's facial features. [figure 5]

    We liked the results from this lighting set-up, but wanted to take it to a more classic look by getting detail in the shadow area under her chin. To achieve this, you can either bring in a reflector right beneath the edge of the frame, pointed straight up to reflect light from the OctoDome®, or you can use another light in the same position that you would place the reflector. We chose to add another light to have more control over the power of our fill light.

     

    Adding a Secondary Light

     

     

    We brought in a StarFlash® 300watt strobe with a small HalfDome® SoftBox attached to it. It would be acceptable to use any SoftBox, but we chose the HalfDome® because of its slim profile.

    When setting up your light for this type of lighting, it is important that the fill light below is set to roughly the same power, or slightly less power, than the top light. If it over-powers your main light above, your model will look under-lit. This is also referred to as "monster lighting", which, as you may have guessed by the name, is not exactly flattering for portraits.

    We placed the StarFlash® 300watt with the small HalfDome® on a floor pod (available through Photoflex® as an extra small LiteStand), pointing straight up at our model. We then moved it back about a foot from the model to allow the light to point directly at her face. [figures 6 and 7]

     

    Figure 8

    In our final result, notice how the shadows have been softened and brightened up by bringing in the light from below. Although we eliminated the majority of the shadows with this second SoftBox, you still can see the light sculpting her face, as is revealed by the shadows under her cheek bones and chin. The inclusion of the second light helped soften the overall feel and give it a light, polished feel. [figure 8]

     

    The OctoDome® alone creates a beautiful, diffused light that when placed in the proper position, creates flattering light for any subject. While one light can render a great image, adding a second light to lighten up the shadow areas can really give you a professional portrait studio look.

    This is a quick and efficient way to take great looking "head and shoulders" portraits. Below is a comparison of our two final shots. figures 9 & 10]

     

     

    Remember to be creative and experiment with you lighting to find the style that's yours. Photoflex® gives you the tools but its your job to put them to use!

     


    Equipment Used:

    Camera/Media

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